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- Opprinnelig tittel : Pitch Black
- Filmtittel i ditt land : Pitch Black
- År med film : 2000
- Filmer sjanger : Thriller, Science Fiction, Action,
- Status for filmen : Released
- Utgivelsesdato for filmen : 2000-02-18
- Selskaper av film : Interscope Communications,
- Landene film : United States of America,
- Språket i filmen : English,
- Filmens varighet : 108 Min
- Gjennomsnittlig stemme på film : 6.8
- Youtube-ID av filmen : RU3eJmbyqzA
- Oversettelse av film : DE,UK,FR,RU,CS,DA,NL,SV,ZH,PL,EL,FI,BG,TH,KO,HE,TR,PT,IT,PT,HU,SK,EN,ES,JA,ZH,FR,LT,ES,
- Filmaktører :Keith David (Abu "Imam" al-Walid), Rhiana Griffith (Jack / Jackie), Simon Burke (Greg Owens), Ric Anderson (Total Stranger), Vic Wilson (Captain Tom Mitchell), Claudia Black (Shazza), Lewis Fitz-Gerald (Paris P. Ogilvie), Radha Mitchell (Carolyn Fry), Cole Hauser (William J. Johns), John Moore (John 'Zeke' Ezekiel), Vin Diesel (Richard B. Riddick), Sam Sari (Hassan), Angela Moore (Dead Crew Member), Les Chantery (Suleiman), Firass Dirani (Ali)
Pitch Black den rette film produsert av Interscope Communications, sammen med beskrivelse av filmen er "When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.". Filmen ble produsert med utmerket grafisk kvalitet, beste lydkvalitet og beste hovedrolle skuespillere.
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Sculptor : Tony Lees, Property Master : Beverley Dunn, Visual Effects Editor : Karen Dimmig, Costume Design : Anna Borghesi, Dialogue Editor : Lindakay Brown, Music Editor : Joshua Winget, Second Assistant Director : Jennifer Rees-Brown, Sound Re-Recording Mixer : Michael Semanick, Makeup Supervisor : Margaret Stevenson, Casting : Mary Vernieu, Sound Effects Editor : Samuel H. Hinckley, Storyboard : Brian Murray, Executive In Charge Of Production : Michelle Wright, Screenplay : Jim Wheat, Story : Jim Wheat, Visual Effects Supervisor : Peter Chiang, Assistant Sound Editor : Scott Guitteau, Camera Operator : Henry Pierce, First Assistant Editor : Andrew Blustain, Music : Graeme Revell, Costume Supervisor : Keryn Ribbands, Hairstylist : Carolyn Nott, Hair Supervisor : Margaret Stevenson, Post Production Supervisor : Graham Stumpf, Standby Painter : Chris Goddard, Construction Foreman : Mark Stephens, Painter : Chris Geissman, Director of Photography : David Eggby, Makeup Artist : Maree McDonald, Art Direction : Ian Gracie, Best Boy Electric : Adam Williams, Casting Assistant : Wizzy Ringer, Production Coordinator : Barrie Hemsley, Supervising Sound Editor : Robert Shoup, Sound Designer : Tom Myers, Painter : Stephen Hay, Editor : Rick Shaine, Casting Assistant : Freddy Luis, Screenplay : David Twohy, Creature Design : Patrick Tatopoulos, Screenplay : Ken Wheat, Sound Effects Editor : E. Larry Oatfield, Storyboard : Jason Brubaker, Boom Operator : Rod Conder, Color Timer : Dan Muscarella, Third Assistant Director : Peter McLennan, Director : David Twohy, Assistant Sound Editor : Beau Borders, Casting : Anne McCarthy, Casting Assistant : Carrie Campbell, First Assistant Director : Jamie Crooks, Assistant Sound Editor : Michael Axinn, Production Design : Graham 'Grace' Walker, Construction Coordinator : John Rann, Executive Producer : Tony Winley, Location Manager : Campbell McLean, Special Effects Supervisor : Brian Cox, Gaffer : Tony Holtham, Boom Operator : Gary Dixon, ADR Editor : Michele Perrone, Sound Recordist : Paul 'Salty' Brincat, Set Decoration : Michael Rumpf, Second Unit Cinematographer : Ian 'Thistle' Thorburn, Steadicam Operator : Brad Shield, Sound Design Assistant : David C. Hughes, Studio Teachers : Cameron Curphey, Propmaker : David Tremont, Producer : Tom Engelman, Standby Painter : Wayne Truce, Unit Publicist : Fiona Searson, ADR Editor : Marilyn McCoppen, Foley Editor : Mary Helen Leasman, Prosthetic Makeup Artist : Jason Baird, Set Designer : Martin Ash, Assistant Editor : Cleo Myles, Legal Services : Peter Thompson, Sound Re-Recording Mixer : Lora Hirschberg, Unit Production Manager : Sue MacKay, Grip : Leigh Tait, Script Supervisor : Lyn Alice Aronson, Dialogue Editor : Karen G. Wilson, Orchestrator : Tim Simonec, Art Department Coordinator : Katie Nott, Assistant Art Director : Jim Millett, Executive Producer : Scott Kroopf, Set Dressing Artist : Scott McMaster, Thanks : Jonathan Bader, Camera Operator : Derry Field, Local Casting : Ann Robinson, Still Photographer : Sean Barnes, Leadman : Daryl Porter, Story : Ken Wheat, Set Designer : Jacinta Leong, Armorer : Allan Mowbray, Assistant Editor : Danny Candib, Thanks : Michael A. Helfant, Dialogue Editor : Gloria D'Alessandro, Dialect Coach : Clair Crowther, Stunt Coordinator : Chris Anderson, Sound Effects Editor : James Lebrecht, Storyboard : Fireball Tim Lawrence, Camera Operator : Brad Shield, Assistant Sound Editor : Mary Works, Executive Producer : Ted Field, Production Accountant : Chris Robson
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Tags: darkness, dystopia, comet, alien life-form, survival, eclipse, flask,